ADverb is a plate reverb simulation inspired by vintage digital hardware. It faithfully recreates the thick sonic character and easy-to-use interface of those early units, while providing the low noise floor and big headroom inherent in modern software-based reverb.

• Simple-to-use reverb settings, with pre-delay, time, and size, plus an extensive filtering section to shape the reverb tail
• Fluid and logical vintage-style user interface
• Optimized reverb algorithm for low CPU load
• MIDI Learn feature for full hardware control of all parameters

Automaton is a unique look at buffer effects, allowing you to experiment with artificial life within your DAW. With four separate effects (Stutter, Modulate, Bitcrush, and Replicate) driven by a cellular automata sequencer, Automaton is capable of adding subtle randomization to a track, or making things completely haywire.

• Cellular automata sequencer with host tempo-sync, five different musically useful rulesets (including a step sequencer), extensive randomization features, and a life of its own
• Four sequencer-driven effects
• Master section allows extensive mixing capabilities, enabling Automaton to excel at either adding subtlety or complete self-generating IDM madness
• MIDI Learn for hardware control of most parameters

BigSeq2 has twelve sequencers controlling ten effects in six blocks, and is capable of everything from short staccato gate sequences to long, evolving filter sweeps and frequency shifts, and everything in between.

• Ten effects in six blocks
• The effects blocks can be re-arranged in any order
• The included effects are VCA, pan, multi-mode filter, fuzz, sine warp, delay (with chorus and flanger modes), frequency shifter (also providing ring mod and phasing), sample rate reduction, bit depth, and our own "Error" effect
• MIDI Learn on all published parameters for external hardware control

DubStation is modeled on the "bucket-brigade" style of vintage delay units, and has all the mojo that made those boxes great. Accurate down to the warm sound of the feedback loop and the low-fidelity character of the originals.

• 4ms to 2000ms delay time
• Accurate delay model that changes the pitch of the signal when the time is changed
• Sync-to-host capable
• Loop and reverse features, and MIDI learn on every control
• Low-cut and high-cut filters controllable for extra dubby feedback

With seven different options in each of the three distortion engines (plus pass-through), Kombinat is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild saturation to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three fuzz boxes in series? This is your box.

• "DJ" style three-band isolator EQ for band-killing effects
• Three distortion engines, consisting of seven algorithms each (plus pass-through) that can operate per band or in series. The included algorithms are Fuzz, Distortion, Saturation, Warp, Clip, Bit/Sample-Rate Reduction, and Ring Mod
• Self-resonating four-pole low-pass filter
• Compressor, configured for one-knob operation for ease of use
• Full MIDI Learn

Replicant, Audio Damage's best-selling effect, is a beat slicer and looper with a unique sound. It can add subtle randomization to rhythm tracks, or turn the most mild-mannered drum loop into a raging, mangled IDM masterpiece. 

• Tempo-based delay and looping effects, from 1/128th note to an entire measure
• Six independant randomization controls, for subtle changes or extreme aleatoric madness, including a global randomize button
• Unique "Hold" feature to store a random sequence you like
• Resonant low-pass and high-pass filters that change over time
• Two separate direction modes, for entire events or individual repeats, with randomization

Ricochet is a sophisticated, yet easy-to-use multi-tap delay, with the signature Audio Damage sound. Featuring a 16-step grid for programming tap time, Ricochet is right at home in modern electronic music production, designed specifically for that context, and is much quicker to program than the run-of-the-mill multi-tap.

• Five independently controllable taps with individual multi-mode filter, panning, level, sync, mute, solo, and time
• Unique dual-filter model for overall tone control
• A specially designed chorus that affects only the taps, for feedback smearing effects
• Tempo-sync or free time operation per tap and overall
• Full MIDI Learn for CC control of every parameter