Of course all these monitors and big screen TVās are almost ideal mid, high end acoustic reflective surfaces. Usually set up in a curve focusing on the listeners head. When setting up, I extensively experimented with various positions of screens and audio monitoring to find the best setup. Itās quite shocking to actually hear the difference and the focused reflections from multiple monitors. I would have put in another screen to my right outwith the audio monitor, but the reflections from that made it very undesirable!
I always considered the listening and monitoring of audio to be the primary importance, but It seems like the visual aspect has become primary?
It all goes down to how good your sound treatment is in your working area and as you say monitor placement , by me at least this has been taken in to consideration
This is an old picture from when the CMCs first came out. Got a T-Shirt out of the deal. Iād give the T-Shirt back to get my money back for the QC and CH
I have three monitors set up at present and thats cool too. They are all old resolution 4/3 aspect but I can now spread the project over two screens and get the MIxer on a third to the right.
I have been running dual screens for a while now in 19 in - about a decade.
I may well do something similar with the new big screen - one big one and two satelaitesw either side. See how things go.
Yeah, thats how I know I would have more but just couldnāt find space where they worked without destroying the sound, within a reasonable viewing angle that is!
I think so, I didnāt get it for the 3D but it was on offer in Richersounds and got a free 5 year guarantee.
Turns out the sales person uses one of my practice rooms