I see, so ideally you would use a high pre-delay on the reverb on the ‘close’ sound, and a low pre-delay on the far sound reverb, but with a higher pre-delay on the dry sound instead.
I see, so ideally you would use a high pre-delay on the reverb on the ‘close’ sound, and a low pre-delay on the far sound reverb, but with a higher pre-delay on the dry sound instead.