Exactly! I wanted to take advantage of the delay correction parameter that’s available in the Track Inspector. It would simplify my workflow since I like using Track Versions for different takes which requires me to manually adjust each version the way you have described (by moving the microphone signal forwards in time until it’s aligned with the direct signal). I’m not wanting to overthink it. Just looking to see if there’s a better way to do this, that’s all.
BTW, this reply is directed to Audiocave, even though I quoted ggc above.
And thanks for the Range Tool tip. I’m gonna give that a shot 