I have gotten by using the post filter to manage roll offs. It’s not fancy but it works. I do often go to other EQs to get the job done. In my opine the Nuendo EQ’s don’t get nearly as narrow as post production requires.I think the best solution is an EQ that is stock that can notch at any frequency flexibly. Sometimes recordings are really dirty. A fan can kill the mood in a scene but none the less they are audible on set from time to time.
I like the strip EQ that we have. It keeps my automation safely baked into the channel. Also my hardware works well with it. I’d say make the Q go to 111 and I’d be happy. It would put N7 in a weird non-compatible place though. But then again the licensing permits you to run older versions so there is no harm there.