I was looking to see if there is a CARBON COPY style DELAY FX within CUBASE ARTIST 8 please? There are DELAYS within ROOMWORKS entitled: PING PONG, STEREO and MONO. But I can not specifically locate a CARBON COPY (should such a plug-in exist).
And REVERENCE encompasses only REVERBS it appears.
I have recorded a MOOG demonstration and this particular FX was recommended to me to enhance the track.
i suppose you are refering to the carbon copy guitar fx pedal. all it does is delay, mix, and feedback. any delay will have these capabilities, including those bundled with cubase.
Well, I actually have an MXR (169) CARBON COPY PEDAL which I use for my RHODES PIANO. MONO IN and MONO OUT. Looks like it offers MONO IN and MONO OUT (which is of course fine for the MOOG). It has REGEN, MIX and DELAY dials with a MOD [modulation] button thrown in).
Not sure how clean a SIGNAL who be produced from the MOOG thru the CC to CUBASE?
As you know, if I RECORD with a hardware pedal then I am stuck with the recording (unless I also record a DRY version alongside every PASS).
Also, I did not really want to have to hook up the pedal every time I wanted a CC FX (though I admit it is not such a massive inconvenience).
Finally, I was wondering if the hardware model will ALWAYS be BETTER than the VST version simple because the former is the genuine article!?
yeah hardware is always an inconvenience in a way, i think the source is more important. in this case i’d hazard saying something’s not right with the recording chain as the moog recording is seriously lacking in detail and fidelity.
By SOURCE do you mean the MOOG and/or the MXR CC please?
There are 2 x OUT’s on the MULTIMOOG. Hi (-10dB) and Lo (+12dB) (respectively). I came out of the LO.
It sounds ok-ish to me but I am only a novice in this field. Though there it no EQ or anything whatsoever so just the raw sound of the MOOG. Just a jack lead from the MOOG straight into the soundcard.
Here is another self-creation I made using the MOOG. Same PATCH except minus all of the real time tweaking (and no SAMPLE & HOLD):
I spent a while this evening hooking up and experimenting with the MULTIMOOG thru an (hardware) MXR CARBON COPY PEDAL (and then into CUBASE).
Lot’s of OCTAVE switching going on (in real time) and application of FILTER MOD (via the WHEEL). Mostly blowing over a Bb Mixolydian and Bb Blues scales (though the piece does have a certain amount of structure about it). A little superimposing just at the very end (ie fade in/out of arpeggios), though other than that it is all 1 x track performed live.
Anyway Lukas, this time I used the HI OUTPUT (+12 dB) on the MULTIMOOG.
ISSUE = The MXR takes away some of the edge and fullness of the MULTIMOOG (even when you just activate it will all the DIALS at ZERO)? Also, some aliasing (for lack of a better term) when playing in the UPPER REGISTER of the MULTI (when the MXR is activated)?
Well one thing I found out for sure tonight is: using the HI OUTPUT on the MULTI circa DOUBLES the amount (level) of artifacts when the MXR CC is activated. I changed it round last night to try this different OUTPUT, and at the same time, hooked up the MXR. Bad idea because I should have eliminated each individually. But I just realized tonight that the OUTPUT was HI so I changed it back to LO, and the results were better.
I may try and make a dedicated recording tomorrow. The artifacts are ONLY in the UPPER (2’) register. And they sound almost pitch-like (ie high harmonics).
Here is a piece I made tonight after putting some time in thinking more about the MXR CARBON COPY DELAYsettings.
I set it to (what I would term) a SINGLE MEDUIM DELAY and tried (with little success) to play/keep in TIME with the damn thing! (I did not realize how tricky it was) But this was partly because I was trying to concentrate on shaping the FILTER and EG RELEASE (that’s my excuse anyway!).
Because, as mentioned above, I came from the LO OUTPUT on the MULTI, the artifacts are somewhat reduced.
I EXPORTED this (from CUBASE) as MP3 @ 44.1 and 48kHz (the latter being the highest option in mpeg). Though the FILE SIZE was IDENTICAL for both (2.21MB)?! And similarly I EXPORTED the WAV’s @ 44.1 and 96kHz (39MB and 84MB respectively). But they are too big to upload to most places (though I could upload to MyDrive [Google] if anyone was interested in comparing)?