Thanks Daniel - fwiw, if you need to convince the folks at Steinberg you could use several arguments: 1. Sibelius has two licenses and you want Dorico to be at least as attractive as Sibelius in every way (including the licensing terms) so as to tempt current Sibelius users with a crossgrade; and 2. In terms of continuity, computers can break down for whatever reason (hard drive failure, a virus, etc.), and if they do and you’re in the middle of a project right before a deadline, you are dead in the water - unless you have a second machine and backup files.