To me, that depends on what each instrumentalist is playing. I often compose with percussion “stations” in mind for each player. For example, one musician may play bass drum in one section, then switch to glock or vibes in another. Meanwhile, another percussion in another station would be switching between orch. bells, triangle, snare, and marimba. In this case, I would love to bracket each station separately in the score, so it is very clear as a conductor which musician is playing which instrument.
Hope that helps, Daniel!