Audio editing with Cubase
A powerful sample editor, smart multi-track editing, fast take-comping, totally integrated vocal editing and pitch alteration of monophonic signals — Cubase provides all this and much more, allowing you to edit audio with peerless precision and unprecedented speed.
The Sample Editor allows you almost limitless creative freedom while editing audio. A full editing toolset offers a huge range of functions that not only cover common editing tasks right down to the sample level. Cubase is the complete production environment for fast, intuitive and qualitatively outstanding audio tools that allow you to manipulate your recordings in almost any way imaginable.
- State-of-the-art transient and tempo detection: optimize the timing, feel and flavor of live-recorded drum tracks
- Intuitive audio quantization
- Easy drum replacement
Extended pitch correction and creative audio manipulation
VariAudio offers completely integrated vocal editing and pitch alteration of individual notes in monophonic vocal recordings and can solve intonation and timing problems with a few clicks. Editing vocal lines in the Sample Editor is just as seamless and quick as if editing MIDI notes in the Key Editor.
The full integration with the Chord Track ensures correct pitch to your harmonies at all times! This interaction also lets you harmonize your lead vocals in beautifully composed choral arrangements. Plus, you can even edit multiple VariAudio parts across multiple tracks within one editor only. And yes, the popular autotuning effect is no big deal!
Drum recordings and drum loops
Transient and tempo detection
Cubase comes with a state-of-the-art transient detection. With this powerful tool at hand, you can detect single hits, rolls and ghost notes faster and more accurate than ever before. Best of all, hitpoints are automatically calculated in the background as soon as audio material is recorded or imported into the arrangement window.
Plus, the tempo detection algorithm accurately determines the tempo of any rhythmic audio material. The resulting tempo map can be used to keep the dynamic feeling of natural tempo variations or to remove unwanted tempo changes quickly.
Straightforward drum replacement
The bass drum needs some extra punch? The snare drum doesn’t cut through the mix? With the Hitpoint-to-MIDI function, it is very easy to replace, double or enrich live-recorded drum sounds. When the transients have been detected, a single click creates a MIDI track with a MIDI note for each drum hit. From here, it’s up to you which sampler or synth you want to fuel.
Smart multi-track editing
Simple and efficient — Track Edit Groups tie together what belongs together. When recording a guitar for example, it is common to record signals from different amps, microphone types or distances on separate tracks. With Track Edit Groups activated, related tracks are tied together and can be edited at once, making this feature a huge time-saver in the studio.
Cubase also allows you to warp-quantize multiple audio tracks at once using the convenient Quantize panel. By creating warp markers straight from hitpoints, both single audio loops as well as the entire arrangement can be non-destructively quantized with a single mouse click — just like MIDI parts! And because the audio events are warped instead of sliced, they automatically follow any tempo or pitch changes of your project while remaining unclutterd for easy arrangements.
Conjure the perfect take
Ultra-fast take comping
Building the perfect take has never been that easy — with the intuitive Lane Track concept. When recording several takes, Cubase instantly creates a Lane Track for each take. From here, it’s just a short way to perfection: simply swipe across the best parts and Cubase automatically creates a master take that contains all selected parts. In addition, the Comp tool offers handy click-and-drag features for immediate results.
Create, rename and manage parallel versions of the same track or tracks and use them to compare takes or create alternative versions of your recordings while keeping all track settings. Interfacing perfectly with existing track handling features like lanes, the flexible new TrackVersions feature will significantly speed up your workflow when working not only with audio but also MIDI, instrument, chord, tempo and signature tracks.
Direct file exchange with WaveLab
Use WaveLab’s mighty feature set from within Cubase. Open WaveLab directly from within Cubase and use WaveLab’s powerful restoration, editing, analysis and mastering functions to polish your audio material even during the mixing process. After editing and processing the audio file in WaveLab, the file can be updated automatically in Cubase by just a single mouse click in WaveLab.
The new render in-place function allows you to bounce MIDI and audio parts easily. You can define exactly on what to include and for example render-in track FX in the newly created events. Trigger the command and a new audio track is created with all effects settings copied over from the original source track plus your rendered audio event, including intact event boundaries.