A note on my “paste special” mentality. If that route were possible, I’d want it to 1) not add that first red dot AFTER a white dot. I’d want the red dot to just start where the existing dynamic is… and 2) the second red dot should SET the new dynamic. The simplest answer to that is to have the curve’s value range (or dynamic range here) be the same exact size. But if I were coding this for myself… I’d want it to average out in a way. So if the first instrument went from 100 to 30… and the second instrument was already at a 70. I wouldn’t want the paste to make it 70 to 0, but 70 to either 30 or 15 or something. I’m not entirely certain as this doesn’t exist yet.
But the point is, what I REALLY want here is for Cubase to be a bit more “musically contextual” instead of “here’s a bunch of RAW data to refine each point with scalpel like precision”. I want the program to do a bit for me. Is that lazy? Not when I’m copy pasting constantly across an entire film score template… over… and over… and over. This is just meant to be a massive time saver for me.
Cheers!