Do you have a special approach to processing and defining sounds?
It all depends. I think it's a mixture of trial and error and amazement. When you're playing with an instrument, it can either take ten minutes or the whole day to finally get that one sound that you're happy with. With my music, it's essential to me that the result doesn't remind me of other productions. How long it takes to get there depends on many factors. For example, when I think about my two most successful tracks, in retrospect, they were the ones I ended up having to spend a day barely on because I got the right sound down pretty quickly. It took several weeks until we finished a few hundred other tracks. I don't think there are any rules for processes like that. They just happen — and, of course, sometimes you feel like banging your head against the wall because something just doesn't work out.